The Minimal Line is the quietest mark in the catalogue. One ink line, hand-drawn imperfection retained, generous white space around the figure. It works because what's not on the paper carries as much weight as what is — the eye finishes the form on its own.
It belongs in contemporary lofts, design studios, gallery walls that already have other line work, anywhere the rest of the wall is doing the talking. It sits well next to architectural prints, plant illustrations, framed maps. A Minimal Line is also one of the few styles that prints beautifully at small sizes — A4 or A5 on a shelf, propped against books, with no frame.
It flatters pets with strong breed silhouettes — greyhounds, salukis, dobermans, sphynx cats, German shepherds. Anything where the outline reads even without the colour. It's a harder style for very fluffy breeds, where the silhouette gets soft, though we've shipped Maine Coons and Pomeranians that worked beautifully because the looseness of the line caught the fluff naturally.
